light, words, and lovely things

"'Dear old world,' she murmured. 'You are very lovely, and I am glad to be alive in you.'"


Thorncrown Chapel was designed by world renowned architect E. Fay Jones. Fay was born in Pine Bluff, Arkansas in 1921. He studied at the University of Arkansas, Rice University, the University of Oklahoma, and finally under his mentor Frank Lloyd Wright at the Taliesin Fellowship.
The inspiration for Thorncrown Chapel was Sainte Chappelle, Paris’ light filled gothic chapel. Fay affectionately labeled Thorncrown’s style as “Ozark Gothic.” The chapel rises 48 feet into the sky with over 6,000 square feet of glass and 425 windows.
In order to preserve Thorncrown’s natural setting, Fay decided that no structural element could be larger than what two men could carry through the woods. The building materials are primarily pressure treated pine 2x4s, 2x6s, and 2x12s. The larger elements of the building such as the trusses were assembled on the floor and raised into place.
Light, shadows, and reflections play a major role in Thorncrown’s ambience. Because of the chapel’s elaborate trusses and the surrounding trees, constantly changing patterns of light and shadows appear during the day. At night reflections of the crosses in the lights appear to surround the entire building. Consequently, Thorncrown never looks quite the same. Its appearance changes during each hour of the day and during the different seasons of the year.
(via erosion-of-beauty)

Thorncrown Chapel was designed by world renowned architect E. Fay Jones. Fay was born in Pine Bluff, Arkansas in 1921. He studied at the University of Arkansas, Rice University, the University of Oklahoma, and finally under his mentor Frank Lloyd Wright at the Taliesin Fellowship.

The inspiration for Thorncrown Chapel was Sainte Chappelle, Paris’ light filled gothic chapel. Fay affectionately labeled Thorncrown’s style as “Ozark Gothic.” The chapel rises 48 feet into the sky with over 6,000 square feet of glass and 425 windows.

In order to preserve Thorncrown’s natural setting, Fay decided that no structural element could be larger than what two men could carry through the woods. The building materials are primarily pressure treated pine 2x4s, 2x6s, and 2x12s. The larger elements of the building such as the trusses were assembled on the floor and raised into place.

Light, shadows, and reflections play a major role in Thorncrown’s ambience. Because of the chapel’s elaborate trusses and the surrounding trees, constantly changing patterns of light and shadows appear during the day. At night reflections of the crosses in the lights appear to surround the entire building. Consequently, Thorncrown never looks quite the same. Its appearance changes during each hour of the day and during the different seasons of the year.

(via erosion-of-beauty)

Posted 1 year ago | October 5th at 1:58 PM
85 Notes
  1. redlipscurvedhips7 reblogged this from vivante
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  9. katybleyl reblogged this from vivante and added:
    kirstykirsty we need to go here!
  10. walkingtheotherpath reblogged this from vivante
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  13. quietasasleepingarmy reblogged this from vivante
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  15. deliabird reblogged this from vivante and added:
    I’m getting married here
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  18. iamthescrantonstrangler reblogged this from fuckyeahnaturalstate
  19. ahoycapnlauren reblogged this from vivante
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  21. overconfidentoveralls reblogged this from vivante and added:
    One of my friends got married here, such a beautiful chapel
  22. spamquest reblogged this from scoundreling
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  25. witsloveable reblogged this from shutter-in-thought
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  27. sydneytulley reblogged this from vivante and added:
    I know a girl who was married here, and the picture are so so awesome. The sad part is, that they only marry a few...